Francesco De Bernardi lives and works in Milan. His practice is rooted in the observation of everyday life, of common situations that provide the primary material the artist extrapolates in order to present it again, condensed into micro narratives or objects that evoke real life experience. His work is developed through the use of different media and materials, including texts, ceramics, artist draws mainly on his own background and autobiographical experiences, focusing in particular on the apparently banal and comical details of everyday life.
The scenes and characters taken from reality show their weaknesses and contradictions, their irresolute side, concerning their personality, crushed and fed by hyperquestioning, hypochondria and the consequent melancholy, which characterises the artist’s gaze and production.
The feeling of melancholy permeates De Bernardi’s installations which present a world in miniature as if observed from far away.
Superb visibility all around, duo show, La Placette, Lausanne CH
Getting attached to (…) is difficult (with a text by Iacopo Spini), Triangolo, Cremona
Your ease doesn’t simplify things/your ease is not making it easier (curated by Camille Besson and Haydeé Marin-Lopez), Café des Glaces, Tonnerre, FR
Il più bell’errore del mondo, duo show with Valentina Pini (curated by Gabriel Stoekli and Giacomo Galletti), Sonnestube, Lugano CH
Domenica, duoshow show with Giovanna Belossi (proposed by Paul Paillet), Lokal-int, Biel/Bienne, CH
Prison Break (curated by Hruze Gegi), Winterthur, CH
The September Issues (curated by Mohamed Almusibli), Peres Project, Milan
Break-In, Brescia (curated by Arnold Braho), The Adress gallery, Brescia
Adaptation I-Weary Friends, duoshow with Leonardo Pellicanò (curated by Stefania Carlotti and Margaux Dewarra) 13, Renens (Lausanne), CH
Supporters (curated by Matteo De Nando), Palmanova 187, Milano
Lemaniana, Reflets d’autres scenes (curated by Andrea Bellini, Mohamed Almusibli, Jill Gasparina and Stéphanie Moisdon), Centre d’Art Contemporaine Geneve, CH
Casette per Uccelli (curated by Margaux Dewarrat), Basecamp, Locarno CH
Usefulless (curated by Mélanie Matranga and Clément Délepine), Galerie Crèvecoeur, Paris, FR
All photo credits to Mattia Angelini.
All photo credits to Mattia Angelini.
All photo credits to Roberto Marossi.
Courtesy Peres Project.
Photo courtesy Café des Glaces.
Photo courtesy Café des Glaces.
Photo courtesy Café des Glaces.
Photo courtesy Café des Glaces.
Photo courtesy Café des Glaces.
Photo courtesy Mattia Angelini.
Photo courtesy Mattia Angelini.
Photo courtesy Mattia Angelini.
Photo courtesy GRAYSC.
Photo courtesy GRAYSC.
Photo courtesy the artist.