Favini taps the experience of listening to “minor” narratives to fuel works that map the relationship between people and their environment. His works, which tend to be site-specific, are developed through a long growth process that renders them living organism, never truly finished: open-ended devices of vision in which the work partakes in life and the viewer become an active participant. Since 2015 he has been carrying out investigative work on the Mediterranean identity and its contradictions
He is currently a member of the Visual Arts faculty of NABA – the New Academy of Fine Arts – in Milan and teaching painting at Accademia G. Carrara, Bergamo
Tappetaro, Triangolo, Cremona
Fragili Rive, Triangolo Art Gallery, Cremona
Au revoir, Carré d’Art Contemporaine, Nîmes (F)*
After Leonardo, Museo del Novecento, Milano (I).
Nouvelles Flaneries II, progetto pubblico/public project, Parma (I)*.
Mediterraneo, Port Tonic Art Center, Les Issambres, (F).
Mirupafshim, Istituto Italiano di Cultura, Tirana, (AL) special project Biennale Mediterranea18
Arrivederci, Museo Man, Nuoro (I)*.
Arrivederci, Museo di Villa Croce, Genova (I)*.
BAT Biennale, Santiago, Chile.
Cremona Art Week (curated by Rossella Farinotti), Area Frazzi, Cremona.
Satelliti, Caccia al Piano, Bolgheri.
La collezione impermanente 3, GAMEC, Bergamo.
How Far Should we go, ICA, Milan.
La collezione impermalente 2, GAMEC, Bergamo.
Performing PAC, Take me to place I love, PAC, Milan.
The Poetry of Translation (WT), Kunst Merano Art, Merano
Autostrada Biennale, Prizren* (K) (curated by Manray Hsu).
Global Learning, MA.GA, Gallarate* (I) .
Moroso concept for contemporary art, Museo Etnografico del Friuli, Udine* (I).
A movie selection of Glitch (curated by Davide Giannella), OCAT, Shanghai, (RC).
Club of Matineé Idolz, CO2, Turin.
INTRO, Giorgio Galotti, Turin.
Glitch, Interferenze tra arte e cinema (curated by Davide Giannella), PAC, Milan, (I).
1+1 =3, Archaeological Museum, Cremona, (I).
We hare never been modern ( curated by Maria Rosa Sossai), SongEun ArtSpace, Seoul *(ROK).
Tropical, Carré du Temple, Paris (F).
Fragili Rive, public project, Galleria XXV Aprile, Cremona
Atla(S)now, Marrakech/Imil (MA).
Port Tonic Art Center, Les Issambres (F).
NCTM e l’arte, IX edition, Milan (I).
Award, Portali dello Scompiglio, Lucca (I) – with Antonio Rovaldi.
Residency, Civitella Ranieri Foundation, New York/Umbertide (US/I)
All photo credits to Nora Pegorini.
All photo credits to Leonardo Morfini.
All photo credits to Sebastiano Pellion di Persano.
2024 | Tappetaro, Triangolo
All photo credits to Nora Pegorini.